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TITUS ANDRONICUS


Productions

AT A GLANCE: OUR THEATERS

Powerhouse Theater: general seating, free admission, not open to the public

 

Titus Andronicus by William Shakespeare

Guest Director and Alumni Erica Schmidt '97


not open to the public - limited seating - Reservations required

Performs in the Powerhouse April 30, May 1 and May 2

All times are at 8:00pm

Titus Andronicus is a play with "14 killings, 9 of them on stage, 6 severed members, 1 rape (or 2 or 3, depending on how you count), 1 live burial, 1 case of insanity and 1 of cannibalism--an average of 5.2 atrocities per act, or one for every 97 lines." Reviewer Mike Gene Wallace adds, "This is a great play. We're talking fourteen dead bodies, kung-fu, sword-fu, spear-fu, dagger-fu, arrow-fu, pie-fu, animal screams on the soundtrack, heads roll, hands roll, tongues roll, nine and a half quarts of blood, and a record-breaking 94 on the vomit meter." Really, there's not much more to say; that is the essence of the play. Titus Andronicus is a non-stop potboiler catalog of abominations (with the poetry itself counted as a crime by many critics).


About the director: 
Directing credits include: Turgenev’s A Month In The Country (Classic Stage Company); Dennis Kelly’s Taking Care Of Baby (Manhattan Theatre Club); Jonas Hassen Khemiri’s I Call My Brothers and Obie Award winning Invasion! (both for The Play Company); Humor Abuse (co-creator/writer with performer Lorenzo Pisoni, at Manhattan Theatre Club, Humor Abuse won: Lucille Lortel, Outer Critics, Drama Desk and Obie Awards also played Philadelphia Theatre Company, American Conservatory Theatre, Seattle Rep and The Taper); Rent (Tokyo); Moliere’s Imaginary Invalid, Chekhov’s Uncle Vanya, Gilbert and Sullivan’s The Sorcerer and Copland’s The Tender Land (all at Bard Summer Scape); Carnival (The Paper Mill Playhouse); Quincy Long’s People Be Heard (Playwrights Horizons); Gary Mitchell’s Trust (The Play Company, Callaway Award nominee); As You Like It (The Public Theater/NYSF, chashama; New York International Fringe Festival Winner for Best Direction); Debbie Does Dallas (wrote the adaptation and directed Off-Broadway for The Araca Group); Spanish Girl (Second Stage Uptown); R&J; Topdog/Underdog; Buried Child and Macbeth (The Juilliard School); Fair Ladies at a Game of Poem Cards (The McCarter’s Berlind Theater, Princeton University). Princess Grace Award recipient 2001.